Tag Archives: anecdotes

My big break…

Me 1964

A clean-cut, clean shaven young man with Crown Graphic on the hill overlooking Koki Market in Port Moresby, 1964

Right back at the beginning of my career,  I had what I like to think of as my “big break”. While it was a break for me, it was a far less welcome break for the other photojournalist involved.

In 1964, as a young, and very inexperienced photographer I was sent by the Australian Government to the Department of Information in Papua New Guinea to fill in for three months, while the local photographer took long service leave. This was an exciting assignment to get so early in my career. I had been working as an assistant photographer for just on a year and here I was, thrown in at the deep end, in nominal charge of a photo department, with several staff and a hell of a lot of responsibility…and to New Guinea; still a distant and exotic location.

Because it was the run-up to PNG’s first election prior to independence, I got to travel all over the country, covering the country’s first election campaign, flying in to all sorts of isolated airstrips in old DC3s and Cessnas. Even Time Magazine considered the story important enough to send a journalist and photographer, David Beal, from Sydney to cover the event. Getting to meet a professional Time photojournalist made a great impression one me. After all, it was my burning ambition to see my work published in magazines like this.

Encountering each other on the campaign trail, David and I shared a few beers but then we both headed off in different directions; he to the highlands, me to Rabaul in New Britain. In travelling the country, something that even today still has to be done mostly by plane, our paths crossed once again in transit at Lae airport. David was looking very sorry for himself; he was hobbling on crutches with both his legs in plaster from ankle to thigh.

While shooting with a long lens in the highlands, with the camera to his eye he had stepped out onto a narrow one-way bridge just in time to share it with a large truck. The impact broke both his legs and his Nikons sailed over the bridge and into the river below. The outcome of this unlucky accident was that my pictures ended up with the story in Time.

Time photo

Time Magazine, February 28th 1964

I think it was this particular tear-sheet that swung me a staff job on new national daily, The Australian, later that year.

But this is not the end of the story. David Beal went on to establish the biggest and best audio-visual company in Australia. When I wanted to produce an audio-visual portfolio piece on Indonesia, I decided to engage his company. When it was completed we launched the audio-visual with a little party at the AM studios. David was there for the showing and the drinks afterwards.

Late that night, he woke up to the clatter of  rocks being thrown on the roof of his house in Paddington by some drunken louts. Racing out in his pyjamas to give them a verbal spray over the back fence, he leapt onto a garbage can. Losing his balance in the dark, he toppled off the can and broke his leg! For a few years after, David and I kept up a running joke that after meeting with me he had almost as many broken legs as we had had face-to-face meetings. I’m certain he made a deliberate policy of avoiding me after that so he could remain ambulatory.

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Filed under Australian, Autobiography, News, Photographer, Photography, Photojournalism, Rob Walls

Through the prism of an over-active imagination…

London, 1967. I was hanging around a film location with a bunch of other press photographers. The film was being directed by Roman Polanski and we were waiting to photograph his wife, the actress, Sharon Tate. Suddenly a black kid, no more than 11 years of age, in short pants, with a runny nose, detached himself from a small crowd of spectators and came up to me. In a Cockney-tinged accent he asked, “Hey mister! You a photographer?” The two or three Nikons around my neck would have made this pretty obvious, but as soon as I confirmed it, the kid said, “My name is Dennis Morris. Wait there. I’ll be right back.” and scooted off through the crowd.

He was back a few minutes later with a fistful of black and white prints which he offered, stating it was his ambition to become a pro photographer. The pictures were much what you would have expected from an 11-year-old, but there was something about the boy; something about his spirit that moved me to offer encouragement. At the time, I was sharing a studio in the West End so I gave him my card and told him to drop in to have a look around and to pick up a pile of photo magazines that we no longer needed.

Over the next few years, Dennis became a regular visitor to the studio and each school holiday he would join us for work experience. As the cliche goes, he was as keen as mustard, and he began to show real talent. I took him with me on assignments when I could and also to the occasional parties that were part of the “swinging London” scene of the 60’s. His mother, a single parent, raised him and his brother in a single room in one of the poorer parts of London. I was a little anxious that introducing him to the vibrant social scene of late 60’s London might turn his head.

By 1971, I had been away from Australia for five years and decided it was time to go home. By this time Dennis had become a very cool and stylish sixteen year old. The last conversation we had was in a pub near my studio. Though under-age, he had no trouble passing as someone older. I remember, He was wearing a black Borsalino hat and a long black overcoat. He looked like he was auditioning for a part in Shaft. Over a couple of pints, he told me he was dropping out of high school and going on tour with a musician he had met while taking photos at a club in Oxford Street. The musician was some dreadlocked Jamaican unknown by the name of Bob Marley.

Bob Marley by Dennis Morris

Bob Marley © Dennis Morris

Back in Australia, I  went through a marriage break-up. The future didn’t look too bright. Freelancing in Australia as a photojournalist was unheard of. I quickly reinvented myself as a fashion photographer and this earned me a good living for a while, until eventually the marketplace caught up. As the newspapers began to establish colour supplements they also began to look around for photographers with illustrative experience. The sort of work I did was suddenly in demand. I was able to re-establish myself as an editorial and corporate shooter.

As the years went by, I shared, built and established several studios. From time-to-time I used to wonder what had become of Dennis. Underlying this wondering was an tinge of guilt. I felt somewhat responsible for him becoming a high school dropout. I assuaged this guilt by telling myself that there was a good chance he had done alright. Bob Marley had become a superstar and a many of his record covers carried Dennis’ picture credit. Maybe Dennis was OK.

Anyway, in 1990 I remarried, moved to Tasmania, had a couple of children, and led a bucolic settled existence. One cold winter Sunday afternoon, I idly flicked the TV to the ABC arts program and there was Dennis Morris being interviewed. He was in Australia as a guest of the Perth Arts Festival exhibiting his iconic photographs of the Sex Pistols.
Sid Vicious © Dennis Morris
Sid Vicious © Dennis Morris

I promptly Googled his name and was delighted to find that Dennis had not only got on OK, he had done very well indeed. He had published several books and his photography was being exhibited internationally. In addition to his photography, Dennis had also been lead singer with a punk/reggae fusion band, the Basement 5 that had gathered a powerful cult following, especially in Germany.

Getting onto the internet it didn’t take me long to find his website and an email address. I sent him a message. Almost immediately there was a phone call and a deep London inflected West Indian accent told me, “Rob, there’s no way I’m coming to Australia and not visiting you!” A few days later I was greeting him at Hobart airport, with his beautiful French wife Isabel, and his lovely daughter Pearl, who was about the same age as my daughter, Cassie.

The next ten days were a blur as we filled in the thirty-five year gap in our friendship. Over dinner one night with our families at the home of a composer friend, Dennis told me that back in London the day we first met, he had looked along the line of photographers, to make up his mind who seemed to be the most approachable, and of all the photographers there had settled on me. I was flattered, but then he said, “You know back in the 60’s, you were so damned cool. I wanted to be you!”. At that, I couldn’t help turning to my teenage son to say, “You hear that, Kim? Once upon a time,  your dad was really cool”. To Dennis I said, “You know back in the 60s, all I wanted to be was black and West Indian…now that was cool.”

At one point during his visit, Dennis asked, “You remember that room, I lived in wiv’ my Mum in London? You know she still lives there.” I was amazed. I was even more surprised when he told me with a broad smile, “Yep! I bought her the house!”.

Today, old, grey-haired and overweight. I’d like to think that my children might detect a remnant of lingering cool about me…but I doubt it. Dennis, on the other hand, is still black, still West Indian and still very, very cool. For me, the payoff in reconnecting was that I no longer carried the baggage; the stupidly misplaced idea; that I might have been a bad influence on his life.

For anyone interested in knowing more about Dennis Morris, here is a recent interview with Mr Cool himself. Dennis Morris, is a man I am proud to have known and who long ago, I like to believe, I might have influenced in some small way. All power to you Dennis. I guess I can stop beating myself up, eh?
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Filed under art, Photographer, Photography, Photojournalism, Rob Walls